TheRenaissance of Jewish Music
In July 2003, Zamir traveled to Italy, home of the oldest Jewish community in Europe. Recorded in some of Italy’s most beautiful (both visually and acoustically) synagogues, concert halls, museums, and churches, this exciting recording spans four centuries of the musical heritage of the Italian Jewish community, from Salamone Rossi through Mario Castelnuovo-Tedesco.
CD – $10
| 1 | Shir La-ma’alot Essa Einai (1622) |  |
Salamone Rossi | |
| 2 | Halleluyah (1622) | |
Salamone Rossi | |
| 3 | Kaddish (1622) | |
Salamone Rossi | |
| 4 | Eftakh Na (1622) | |
Salamone Rossi | |
| 5 | Dir mi che più non ardo (1600) | |
Salamone Rossi | |
| 6 | Cantata ebraica (1681) | |
Carlo Grossi | |
| 7 | Psalm 114 | |
Gregorian and Jewish psalmody | |
| 8 | Maoz Tsur (before 1724) | |
trad/Italian Ashkenazi | |
| 9 | Odekha | |
trad/Italian Ashkenazi | |
| 10 | Akhar Nogenim | |
trad/Italian Ashkenazi | |
| 11 | Adon Olam (1732) | |
Giuseppe Vita Clava | |
| 12 | Bet Yisrael Sifdu (from Ester) (1774) | |
Cristiano Giuseppe Lidarti | |
| 13 | Hodu Ha-arets (from Ester) | |
Cristiano Giuseppe Lidarti | |
| 14 | Mizmor Ledavid (1826) | |
Michele Bolaffi | |
| 15 | Va pensiero (1842) | |
Giuseppe Verdi | |
| 16 | Barukh Ha-ba (1950) | |
Mario Castelnuovo Tedesco |